The goal is to Communicate: An Interview with Eric Fischer

The goal is to Communicate: An Interview with Eric Fischer

Eric Fischer is a visual artist and computer scientist based in San Francisco. He works with code to make art out of data he takes from public sources, and his images have been featured in MoMa's 2010 exhibition "Talk To Me" and in various publications including the Norwegian daily newspaper Dagbladet and American publications Esquire, Wired, and Popular Science. Eric is currently working on improving map accuracy and creating data visualization tools at a tech company with offices in San Francisco and Washington, D.C. Today Praxis Managing Editor Thomas Spitzer-Hanks interviews Eric on his work and his field.

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I think my conscious experience of 'big data' probably started when school administrators decided to put RFID chips in our school IDs and to require us to wear them in a visible spot on our shirts all day, every day. It seems like a bad idea - I don't know what data they would gather from tracking our movements around the school since we had a class schedule we were suppose to follow anyway - but someone in administration probably said the magic words 'assessment' and 'data,' and we got chipped. That was in junior high. Since then the push for data and the concomitant rise of 'big data' as a concept and a buzzword has been approaching critical cultural mass. As bigdata has become more ubiquitous we've gotten more and more used to being seen as data, as content; when someone steals our data to use as their own we say that they've 'stolen our identity,' as if we are reducible to the quantifiable aspects of our lives. More than this, our informational identity is a kind of online currency now: we constantly give away our information as the price of admission to 'free' social media applications, email service providers, and online sales aggregators. But is that actually good?

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Statement Season

Statement Season

At the writing center I help staff, we've just re-opened for summer, which means one thing: weeks upon weeks of personal statements and applications, mostly (so far) for med school. I think this may be my favorite genre, even though it is probably the most difficult and confounding genre of writing I can think of. After all, where else does a writer have to brag, be modest, and show professionalism and ability while gesturing modestly toward their relative lack of both, all while asking for something they desperately want?

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A Look Back and Continued Commitment to "Community Building in Online Writing Centers"

A Look Back and Continued Commitment to "Community Building in Online Writing Centers"

Thanks to Thomas Spitzer-Hanks and the Praxis editorial team for inviting me to look back at one of my first publications, “Community Building in Online Writing Centers,” which was published a decade ago—in 2005. When I wrote this short essay, I was early in my graduate studies and new to thinking about online writing center work. I was also enthusiastic about the possibilities and personally engaged in the use of online chat forums, wikis, and Skype. More importantly, I was committed to equity in education and community building as a way to prioritize relations and the people who are often ignored when talking about technology.

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Process Versus Product

Process Versus Product

In the writing center I help staff, the heuristic we use to guide consultations is to 'focus on the writer, not the writing.' Obviously from a service standpoint this is smart, since we won't be open long if we alienate the people that choose to come to the writing center by ignoring them in favor of their work; this policy also helps us avoid becoming an editing service. But I suspect the real point of this dictum to focus on a writer and not on their writing is to avoid using what I call a product-oriented worldview during the writing center encounter, because to do so would be to blunt the positive impact of that encounter.

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Thinking the Writing Center

Thinking the Writing Center

In reading Lester Faigley's address to the 2015 South Central Writing Center Association published last week in Praxis, specifically his discussion of how complex writing center consultations are in cognitive terms, I am struck by two things: the importance of writing center practice to writing center theory, and the immense research possibilities presented by writing centers.

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Time and Publication

Time and Publication

As we prepare to publish another issue of Praxis this week, we're thinking about time. As editors, we think about time in terms of deadlines, publication schedules, author time-to-publication, and upcoming projects, all of which are fairly discrete, tidy units. Someone has to do something by a certain moment, or in a series of certain moments, and as editors our job is to be that someone or to assist that someone, and to hold the timeclock. It's a little like a race, and just like at the end of a race, we're a little tired, a little sweaty, and a little proud right now.

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Keeping the Flame

Keeping the Flame

I don’t know what the energy levels are like where you are but, from where I sit at a computer tucked in the back of the WC, things feel like pell-mell frenzy meets the very last ions of the battery reserves. If we’re anything like our cellphones—and, given how much those devices have become extensions of our body, I’d say the similitude can’t be denied—exclamation points have replaced the more regular percentages indicating how much power is left. This occurs at five percent on mine and is immediately followed by a “battery critically low” alert.

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Sentence by Sentence, Bird by Bird: Composition Pedagogy by Anne Lamott

Sentence by Sentence, Bird by Bird: Composition Pedagogy by Anne Lamott

Today marks the exact middle of the month immortalized as the cruelest by T.S. Eliot—at least within the world(s) of Anglophone letters. While UT-Austin’s undergraduate population may disagree with everything else Eliot wrote, the ever-increasing hustle and bustle of the UWC (University Writing Center) suggests they’d likely agree with “The Waste Land’s” opening line. 

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Electronic Publication and the Academic Knowledge Industry

Electronic Publication and the Academic Knowledge Industry

Recently the Modern Language Association published a statement on electronic publication which says in part that “[E]lectronically published journal articles, monographs, and long-form scholarship are viable and credible modes of scholarly publication.” I’m pleased that one of the most important scholarly associations in the humanities recognizes the legitimacy of digitally-published scholarship, and I agree that digitally-published academic work is not simply ‘credible’ but ‘viable.’ That said, I’d suggest that the concept of viability should be expanded as academic scholarship migrates away from paper.

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Hello, Goodbye: Axis Welcomes A New Blog Editor

Hello, Goodbye: Axis Welcomes A New Blog Editor

Today is a sad occasion for us, the Managing Editors of Praxis, because we are losing a friend and colleague, Hannah Alpert-Abrams, to the exigencies of academic life. Hannah is leaving Axis to pursue research in the digital humanities. While we are excited for her and will follow her progress carefully as she explores new areas both physical and intellectual, we are sorry to lose the first blog editor of Axis and the woman whose editorial direction and professional ability has been a fundamental aspect of Praxis’ migration from our previous platform. In many ways, Hannah has been the public face of Praxis on Facebook, on Twitter, and on Axis itself, and she has represented us extremely well.

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Navigating disability disclosure in the Writing Center: The other side of the table

Navigating disability disclosure in the Writing Center: The other side of the table

Lately, I have been writing eagerly on the subject of writing centers and disability disclosure. An important topic, for certain, but much of what I am researching and writing deals with sessions in which it is the tutee/writer who has a disability and therefore must navigate disclosure. In thinking about this, I am asking myself: What does disclosure in writing centers currently look like for a tutee with a disability? What should it look like? How does how we handle disability disclosure inform our practices—and how should our practices inform how we handle disability disclosure?

And yet, dealing with disclosure in the writing center is an everyday occurrence for me—only in the opposite direction. This is because 100% of my sessions happen with a person with a disability—but that person is me. 

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Kerri Rinaldi is a faculty writing center consultant at Drexel University. Her research interests include self-initiated writing practices and the framing of disability in writing center theory and practice

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Axis @ South Central Writing Center Association

Axis @ South Central Writing Center Association

We're so excited to be hosting the SCWCA conference this weekend here in Austin, which is guaranteed to start a whole lot of exciting conversations. We'd like to keep those conversations going online at Axis. Send us an e-mail (praxisuwc@gmail.com) if you're interested in writing short post-conference reflections, reactions, questions, or ideas. 

See you all today!

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The Accommodation Process: Disability in the Writing Center

The Accommodation Process: Disability in the Writing Center

When I first began working in the Writing Center, I was pretty astonished at the “types” of consultations that begin to appear over and over again: the brainstorming consultation, the revision consultation, the personal statement or application consultation, the ELL consultation, and finally the disability consultation. Every type seems to have its own unique mood and methodology, and now I find myself stepping into the rhythm of each writing project with a sense that I’ve heard this melody before. This is perhaps because I myself, like all other writing center consultants, have also experienced the writing process over and over again at each of its stages. But I also have experienced a different process, separate from writing, which is nonetheless deeply ingrained into my own writing center rhythms. My process is the process of requesting disability accommodation, not for my clients, but for myself. “Hello,” I say, “welcome to the writing center. Usually we go ahead and ask you where you would like to sit. But I do things a little differently. I am hard of hearing, and I need a more quiet space so that I can hear you and help you. Would you mind following me?” The students are always very accepting – they smile, they say, “that’s okay,” and they usually take the trouble to speak up when asked. I’ve never had trouble with this step in the process— each student I’ve worked with so far has been as eager to help me as they were eager to be helped.

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Disability Advocacy at the Writing Center

Disability Advocacy at the Writing Center

This semester, the UWC has introduced a series of workshops designed to help consultants better address the needs of UT’s diverse student body. I attended the first workshop, the disABILITY Advocate Program administered by Services for Students with Disabilities (SSD).  

SSD is currently housed in UT’s Division of Diversity and Community Engagement rather than in an academic or medical division. This residency reflects a growing trend in accommodation services—the determination to understand disability through a minority model. This newer model contrasts older medical perspectives, which considered disability a problem that needed a cure, or even slightly more recent social models that encourage changes in environment to make spaces more accessible. In disability advocacy today, the question is no longer just how to make classrooms, campuses and centers accessible. Instead, experts focus on accommodation and INCLUSION, practices that welcome all forms of diversity by fostering what SSD calls “meaningful participation and a sense of belonging” for each student.   

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